Who is
the most popular heroine of Fernando Colunga? Maybe you
will choose your favourite, but, with no doubt Thalía
is really the most popular. She is
actress and singer, part of the most popular
Hollywood stars. Married with Tommy Motola, Thalia
is today planetary star and favourite person in almost
every home in the world. What makes Thalia so popular? She
is very talented, she has popular sister too (Laura
Zapata - "Esmeralda", "La Usurpadora"...) and once she
was Fernando's girlfriend. Today, Thalia is
concentrated on her music carrier, but we hope we will see
her on TV very soon. We know her by telenovelas like:
"Maria la del Barrio", "Marimar", "Maria
Mercedes" and "Rosalinda".
QUICK FACTS:
Name: Thalía Ariadna Sodi Miranda
Date of Birth: August 26, 1971
City: Mexico D.F.
Country: Mexico
Father: Ernesto Sodi Pallares
Mother: Yolanda Miranda
Siblings: 4 older sisters: Laura Zapata (actress), Gabriela, Federica y
Ernestina
Marital status: married
Spouse: Tommy Motola, CEO of Sony Music Entertainment
Hobbies: listening to music, sleeping, diving, skiing, reading
Ideal man: Elegant, sincere, passionate, hard working, good man with a
big heart
Idol: Marilyn Monroe
Favorite singer: Jim Morrison
Favorite actor: Mel Gibson
Paradise place: Any with a beach nearby
Dream: to have children
Height: 174 cm
Occupation: actress, singer
FILMOGRAPHY:
Mambo Café (1999) .... Nydia
"Rosalinda"
(1999) .... Rosalinda
"María la del Barrio" (1996) .... María
Vamos al baile (1996) Movie
"Marimar"
(1994) .... Marimar
"María Mercedes" (1992) .... María Mercedes
"Luz y sombra"
(1989) .... Alma
"Quinceañera" (1987) .... Beatriz
"La Pobre Señorita Limantour" (1983) .... Diana
La Guerra de los pasteles (1978) Movie
DISCOGRAPHY:
Thalía (2002)
Thalía con Banda, Grandes
Exitos (2001)
Arrasando (2000)
Jugo de Exitos (1998)
Amor a la Mexicana (1997)
Nandito Ako (1997)
En Extasis (1995)
Love (1992)
Mundo de Cristal (1991)
Thalía (1990)
BIOGRAPHY:
(this biography is from http://mextelenovelas.tripod.com/)
There has never been any doubt
about the unstoppable force that Thalia is in the world of Latin music. An
intoxicating swirl of luxurious brown hair, swiveling hips, and a face that is
as angelic as it is seductive, Thalia was from the beginning destined to conquer
a legion of worshippers. She’s spent the ‘90s amassing an army of fans from her
native Mexico to Europe and Asia. But now, with her new release, Thalia, which
features 10 stunning new tracks in Spanish and three tracks in English, she has
shown there are no limits to her continuing growth as an artist. This release
solidifies her position as one of Latin pop’s most powerful voices.
The new album represents a tremendous leap forward in Thalia’s
extraordinary career. Her collaboration with major hitmakers like Estefano,
Emilio Estefan Jr, and Corey Rooney have produced boldly inventive hit songs
using state-of-the art production strategies. “I have experimented with several
kinds of rhythms over my last eight albums—mambo, salsa, merengue, dance, house,
cumbia,” said Thalia. “At this moment in my life I want to relax and surround
myself with musicians determined to create new sounds, a new atmosphere. We
wanted to create magic with this record.” Born Thalia
Ariadna Sodi, this arrestingly vivacious singing, acting, and dancing talent
began her career as a child on Mexican television and in Mexico City’s theater.
Thalia, whose name comes from the Greek muse of the theater, followed in the
footsteps of her older sister. “I would have to behave all week in school so
that I could go to see my sister perform on the weekends,” said Thalia. As a
child she sang with groups like Din Din and Timbiriche, and was soon offered a
part in Quincenera, the first Mexican soap opera geared toward children and
adolescents. After a successful run on TV and the stage, Thalia, still a
teenager, decided to move to Los Angeles in the ‘80s, where she met her
long-time collaborator and producer, Alfredo Diaz Ordaz. “He was a ‘60s kind of
guy,” said Thalia. “We made a very strong connection because I loved the Doors,
Aerosmith, and Journey. I was always kind of a rocker.” Diaz Ordaz produced
Thalia’s self-titled debut in 1989, which was followed by 1991's Mundo de
Cristal and 1992's Love. In the ‘90s, Thalia also had great success as an
actress in highly rated soaps such as Maria Mercedes, Marimar and Maria La Del
Barrio, establishing herself as an international star.
In the ‘90s, her career exploded, especially because of her collaboration with
producer Emilio Estefan Jr., on the albums En Extasis, (1995) Amor a lo
Mexicano, (1997) and Arrasando (2000). “To work with Emilio Estefan has been for
me my good-luck charm,” said Thalia. “When he gave me the song ‘Piel Morena,’
four albums ago, it made my career as a singer.” Estefan continues his work with
Thalia on “La Loca,” a sultry cumbia-rock tune featuring a guest appearance by
Panamian rockers Los Rabanes. Thalia features seven songs by Estefano, a major
songwriting and producing talent who has worked with Enrique Iglesias, Chayanne,
and Alexandre Pires, among many others. Estefano is behind the sexy rhythms of
the breakthrough hit single “Tu y Yo,” which also appears in a remixed version
as a duet with Tejano stars A.B. Quintanilla and the Kumbia Kings. Corey Rooney,
a mastermind talent who has anchored the work of Jennifer Lopez, Marc Anthony,
Destiny’s Child and Michael Jackson added music to Estefano’s lyrics on the
ballad “Heridas en el alma.” Rooney not only collaborated on the steamy track
“The Mexican 2002,” but surprised Thalia at the last minute with his inclusion
of Marc Anthony’s back-up vocals. Thalia’s exceptional
ability to create an emotional mood is on display on ballads like “Asi es el
Destino,” and “No me Ensenaste.” But one of her irresistible charms is her
ability to switch between her role as good girl and bad girl. The brash,
uncontrollable side of Thalia is on display in “En la Fiesta Mando Yo,” as well
as a cover of the ‘80s European dance club hit, “A Quien le Importa. “I was very
influenced by the ‘80s,” said Thalia. “It had all kinds of influences in pop and
rock. It was great because it was a fusion of different sounds that created a
new sound”. Thalia’s love for the ‘80s was also behind her choice to record Dead
or Alive’s classic “You Spin Me Round (Like a Record)”. “I just wanted to have
fun with it,” said Thalia, who is confident about performing in English. “I did
an album of my songs in English for South Asia several years ago, and I also
sang on the soundtrack for the Fox animated film, Anastasia,” she said. “This is
my third time in English and I fell secure about it.
”Thalia is like taking an exhilarating ride to the top of a mountain with a
musical legend in the making. But it's a ride in which Thalia never loses sight
of her real self. Like many women of her generation, Thalia is an alluring
enigma—is she the sensitive, yearning woman looking for love on the ballad “Y
Seguir,” or the too-hot-to-handle cumbia-rap temptress of “La Loca”? The answer
is, a little of both. “I can be very sweet, very compassionate, very loving,”
said Thalia. “I can also be very aggressive, strong, defining my boundaries. I
can be sweet, and I can be sexy. I’m always honest and that’s what I give
through my music.”
More about
Thalia you can find
in
http://www.thalia.com
http://crazythalia.kolayweb.com
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Photos
of Thalia:
to be
continued...
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